14 Latin American
History & Culture
ART AND ARCHITECTURE OF
PRECOLUMBIAN MEXICO
E M
The cultures of ancient Mexico were full of both vibrancy and violence.
This program examines the Olmecs, the Zapotecs, Aztecs, and other
indigenous Indian cultures that thrived in sixteenth century
Mesoamerica. The magnificence of their temples, farming methods,
sporting games, and solar calendars balance their religious practices
of human sacrifices. Buildings, rituals, and artifacts illuminate these
precolumbian cultures. A teacher's manual, workbook, and poster are
included. 23 mins / 1994
ART
AND REVOLUTION IN MEXICO
C
A
Nowhere but in Mexico has history been painted as superbly; nowhere
else have outspokenly polemical painters, like Rivera and Siqueiros,
produced such great art. The art of revolution of art seem, in this
time and place, to have nurtured one another. Text by Octavio Paz. 51
mins / 1993
BRAZIL
EXPERIENCE
M
H A
Dance to the rhythm of Brazil’s hottest percussion group…play a
game of soccer on the beach…float down the Amazon during a
rainstorm…scale a palm tree…try your hand at capoiera, a combination of
martial arts and acrobatics…experience Brazil! 47 mins / 1995
THE
BURIED MIRROR
C
A
A five-volume sweeping look at the past and present of Latin America,
hosted by Carlos Fuentes. 59 mins each / 1991
THE VIRGIN AND THE BULL
Best-selling Mexican author Fuentes looks for his forebears in the mix
of people that created Latin America: Spanish, Arab, Jewish, Indian,
and African. He asks what is unique in their culture that is cause for
celebration in the 500th anniversary year of Columbus. His quest takes
him from the quayside at Vera Cruz "where the Mediterranean comes to an
end in the Caribbean" back to the dark caves of Altamirea, the harsh
sunlight of the bullring, and the stamping feet of the flamenco dancer.
CONFLICT OF THE GODS In his lifetime, Fuentes has
witnessed
the rediscovery of the ancient Aztec temples beneath the central square
of modern Mexico City. "So we found out that what we thought was dead
was really alive." He retraces the Indian world through their
magnificent pyramids and sculptures, a world of precise astronomy and
human sacrifice, serenity and violence. The return of their blond,
exiled god was forecast for the very year Cortes reached their shores.
THE AGE OF GOLD
The New World bought Spain (and ultimately Europe) enormous treasures:
gold, silver, chocolate, tomatoes, potatoes. Yet Spain’s most powerful
ruler, Philip II, lived in austere solitude in a cell-like study. He
sought to protect the Catholic faith, while the Spanish author
Cervantes questioned all values in Don Quixote, the prototype of the
modern novel. Courtly painters and Baroque style vaulted the Atlantic
and celebrated its transformation into a tool for Indian fantasy in the
magnificent churches of Potosi and Ocotlan.
THE PRICE OF FREEDOM
Every year, a million Mexicans gather in the great central square of
their capital to celebrate El Grito, the cry for Independence. Fuentes
crosses the Andes in the steps of Bolivar and San Martin. The
liberators succeeded n throwing off the Spanish yoke, but they found it
harder to establish a just society. For the gaucho there was the
consolation of the open spaces, the mountains, and the plains. And for
those crowding into the new cities like Buenos Aires, there was the
tango, a sad thought that can be danced.
UNFINISHED BUSINESS
Spain, Latin America, the Hispanic communities in the U. S.: all have
undergone enormous changes in this century. Within the lifetime of
those born now, half the population of the U.S. will be Spanish
speaking. Every year, half a million brave the border patrols to enter
the States illegally. "They are looking for the Gringo gold, but also
bringing the Latino gold," Carlos Fuentes observes. Hispanic immigrants
contribute a wealth of tradition: diverse cultural creativity in art,
music, and dace, respect for family ties--distinct hallmarks of the
Spanish-speaking world.
CENTRAL
AMERICANS
M
H A
Poverty, political unrest and oppression compel many Central
Americans to emigrate as refugees from Belize, Guatemala, Honduras, El
Salvador, Nicaragua, Costa Rica, and Panama. Regardless of the expense
and danger of the trip (made mostly on foot), as well as the
restrictive immigration policies, more than 1 million Salvadorans and
Guatemalans alone now live in the U.S., seeking freedom and economic
opportunity. Though many live below the poverty level, in constant fear
of detection by immigration authorities, their determination and
courage enable them to endure. 30 mins / 1993
LA
OFRENDA: THE DAYS OF THE DEAD
M
H C A P
The study of holiday ritual in any culture is an excellent way to
pull young people into multiculturalism. In Mexican culture, the Days
of the Dead in early November acknowledge friends and family who have
died. La Ofrenda ("the offering") refers to the gifts of flowers, fruit
and candy that Mexicans arrange at altars designed to welcome the
spirit of the deceased back to the community. "Los dias de los muertos"
has all the panache of Halloween and all the joy of Easter, serving as
"a playful reminder of our fearful end." This film shows the cathartic
purposes of this holiday, while leaving its mystery and irony intact.
Narration is spare, and English subtitles are plentiful. LA OFRENDA
also invites a comparison of how death is dealt with in various
cultures. By any measure, a fantastical and festive film. 50 mins /
1989
LUIS
RODRIGUEZ: ALWAYS RUNNING
M
H A
Luis Rodriguez, award-winning poet and social critic, recounts the
story of his youth in a gang in East Los Angeles with a group of
students from Manual High School in Indianapolis. Rodriguez, whose
memoir Always Running provides a vivid account of gang life, describes
his barrio youth, and how literature served as a way out of the cycle
of self-destructive behavior. He provides insights into why young
people are drawn to gang life and the action he thinks communities and
young people must take to break the recurring pattern of violence. 30
mins / 1994
MEXICAN
AMERICANS
M
H A
A concise overview of the history of the Mexican people from the
"Multicultural Peoples of North America" series. Starting from the
Spanish conquest of the Aztec people in 1521, this video covers the
Mexico-U.S. battle over Texas and the southwestern United States. This
land seizure created the problem of the "border crossing the people"
rather than the people crossing the border for the Mexicans who already
lived in what is now California. The many that remained after the
territory was claimed by the U.S. contributed their hard labor to the
building of America and are now 5% of the population. Prominent Mexican
Americans are highlighted and a modern Mexican family discusses the
continuing of Mexican musical tradition. 30 mins / 1993
THE
MEXICANS THROUGH THEIR EYES
H
C A P
A National Geographic special examines the mosaic of modern Mexico
through the eyes of its Indians, peasants, artists, and philosophers.
As they work to save an endangered habitat, the Mexicans draw on the
rich legacy of their pre-Hispanic past to shape their future. 59 mins /
1990
MEXICO:
THE NATION
E
M H A P
Contemporary Mexican economics, industry, and geography is reviewed
in this program. Viewers will see how rapidly growing Mexico City and
smaller villages are preparing for the future. The tension between
traditional customs and sophisticated urbanity informs Mexico's modern
identity. From the racial backgrounds of Mexican citizens, to
topography and class status, diversity and contrast can be found in
every aspect of Mexican life. 23 mins / 1993
MEXICO:
YESTERDAY AND TODAY
M
H A
This video is a terse overview of Mexico as perceived by its
Central American neighbors. Its geography and ancient past are
reviewed, plus the Spanish conquest, colonial era, independence,
development, and revolution. The history focuses on Mexico's unique
blend of Native American and Spanish influences. The video concludes
with a look at Mexico's challenges: rapid population growth, class
divisions, debt, and environmental degradation, with an eye toward a
more democratic future. The companion teacher's guide provides activity
sheets and questions. 20 mins / 1993
NO
NOS TIENES
H
C A P
NO NOS TIENTES is the proud and urgent voice of Guatemalan student
protest. Shot in urban ghettos, rural villages and jungle encampments,
this documentary reveals the immediate and personal struggle of a
cross-section of the country’s population. For 40 years, a brutal civil
war has raged in Guatemala. Poverty, indiscriminate violence by death
squads and military dictatorship have bred a culture of fear.
Impassioned by their youth and made bold by their solidarity,
generations of students have emerged as a vanguard of change. By
situating the current struggle within a context of developing political
action, this documentary provides a unique engagement within an ongoing
process of social transformation. 52 mis / 1992
PUERTO
RICANS
M
H A
Beginning with the first few nationalist refugees of the late 19th
century and continuing with the thousands of laborers who flocked to
the mainland after World War II, the Puerto Rican people have had a
significant impact on contemporary life in the United States. Their
impact is felt in the arts, in sports and in politics. Though Puerto
Ricans face no legal barriers in migrating to the continental United
States, many find it difficult to assimilate into the mainstream of
U.S. society because they have often experienced the ravages of racial,
cultural and linguistic discrimination. /
SIXTEENTH
CENTURY PERCEPTIONS OF LATIN AMERICANS: CIVIL OR SAVAGE?
C
A
This program shows how value judgments mar history by creating
misperceptions that can linger for centuries. The viewer witnesses such
a case in the cultural encounter between Europeans and Latin American
Indians. The attitudes that perpetuated the myths associated with the
age of discovery are revealed as revisionist narrative and images
examine the symbolism in early maps and iconography. 27 mins / 1988
Indiana Humanities Council
1500 North
Delaware Street
Indianapolis, IN 46202
317.638.1500 or 800.675.8897
ihc iupui.edu
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