20 Social Issues
BEAUTY LEAVES THE
BRICKS
H C A
This is the continued story of young women whose lives were documented
in an earlier film, Beauty and the Bricks. This program weaves footage
from the original film with footage from the reunion, interviews with
the girls, and visits them in their homes. Through images and
interviews, the film shows these young women as they struggle with the
demands of children, husbands, parents, and career. They relate in
their own words how dreams, friendships and spirituality are sometimes
sacrificed and how living in poverty affects their life choices. BEAUTY
LEAVES THE BRICKS provides us with a retrospective and current view of
four lives. 46 mins / 1995
BUI
DOI: LIFE LIKE DUST
M
H A
For a member of a gang, like is "like dust:" transient, flighty,
and never certain. This film relates the experiences of Ricky Phan, a
young man from Vietnam who fell into the gang life as a California
teen. The film weaves Ricky's impressionistic childhood memories of
hard work and hunger with the comparative "power" he gained as a gang
member. The film will prompt viewers to ask which is more violent:
fleeing from a war-ravaged country or trying to survive in an alien
culture. From Ricky's personal story arises larger cultural issues
about the basic human needs that gang life serves, and, perhaps, what
social changes need to occur before the tide of alienation is stemmed.
28 mins / 1994
COMMON
FIRE
H
C A P
COMMON FIRE was kindled from a concern about the quality of
personal and public life, growing cynicism and sense of powerlessness
in many sectors, and cultural encouragement of narrow self-interest.
Yet knowing that beneath the often harsh media coverage there are many
people who work steadily for a more positive future, the authors of the
book Common Fire began interviewing activist and volunteers to learn
three things: What are they like? How did they become that way? What
sustains them in a complex, diverse, and ambiguous world? The life
stories and patterns that have formed these people committed to the
common good, are described in the book Common Fire. The video and guide
can be used together to stimulate conversation about our common life,
in settings such as a single class, staff retreats, discussion series,
church groups, or study circles. Parents, teachers, and others
concerned with personal growth will find it useful. 45 mins / 1996
CONFESSIONS
OF ROSALEE
H
C A P
This PBS Frontline program confronts the interrelationships of
poverty, racism, crime, illiteracy, and drug use and their persistence
over generations. Reporter Leon Dash spent four years getting to know
Rosalee Cunningham, a thief, former prostitute and drug addict, and
mother of eight children. An excellent entre to a study of the welfare
state. 57 mins /
THE
CULTURE OF COMMERCE
H
C A P
THE CULTURE OF COMMERCE conveniently compares the dynamics of
capitalism in Germany, Japan, and the U.S. Japanese workers pledge
their lives to their company in exchange for life-long job security.
The German system relies on co-determination, where consensus among
owners and workers is the goal. And the U.S. is characterized by often
hostile worker-manager relations. Case studies and interviews with
workers, owners, and economists provide personal testimony and
historical reasons for each country's present system. This video will
make vivid the diversity of corporate practices and capitalism itself.
Suitable for high school and up. 58 mins / 1994
FOUNDATIONS:
THE PEOPLE AND THE MONEY
H
C A
This documentary explores the world of not-for-profit foundations,
showing the people who work for them as well as some of those who seek
the funding foundations offer. We hear the officers of foundations
describing their goals and objectives; see program officers working
with applicants; and sit in on a board meeting as funding decisions are
made. A prize winner at the Chicago International Film Festival. 27
mins / 1989
FOUR
LIVES: PORTRAITS IN MANIC DEPRESSION
C
A P
FOUR LIVES sensitively portrays the predicament of those who suffer
from manic depression. The brain disorder causes erratic mood swings in
nearly three million Americans. When depressed they experience
debilitating anxiety, sadness and hopelessness. When manic, they are
talkative and dangerously uninhibited. If untreated, one in six may
commit suicide. This film intimately profiles 4 persons who are being
treated for the disease, including perspectives from their
psychiatrists and parents. Scenes at a support group emphasize the
benefits of human understanding. FOUR LIVES is a candid piece of
filmmaking. 60 mins / 1987
FOUR
VOICES
H
C A
Many communities suffer from homelessness, displacement and
unemployment. People are tackling these problems and taking control of
their lives through community-based education and problem-solving. FOUR
VOICES illustrates the effectiveness of this approach by showing it at
work in very different communities across the U.S. 28 mins / 1987
FULL
OF SOUND AND FURY: LIVING WITH SCHIZOPHRENIA
C
A P
Schizophrenia, one of the most common major mental illnesses,
shatters an individual. This sympathetic film presents the experiences
of three sufferers of the disease. One man describes the anguish of his
marginal existence and his craving for a useful life. Another speaks of
her daily battle with delusions and fears. And a mother recounts the
torment that drove her son to suicide. This film depicts the
schizophrenic's pain and vulnerability with great sensitivity. 54 mins
/ 1985
THE
LYNCHBURG STORY
C
A P
Between 1927 and 1972, over 8,000 Virginians were sterilized
because the state decided they were unfit to reproduce. This carefully
documented story deals with an obscure but significant in byroad
American history--the acceptance and implementation of eugenics (the
strengthening and cleansing of the human species through selective
breeding and sterilization) as a form of state-sanctioned policy. An
important and though-provoking program for students and groups
concerned with ethics, science and technology. 55 mins / 1993
METROPOLITAN
AVENUE
H
C A P
An inspiring film about community, METROPOLITAN AVENUE addresses
the changing role of women and how powerful ordinary people can be when
they fight together for a common cause. Racial tension, cutbacks in
municipal services and a changing economy threaten this lively Brooklyn
neighborhood. Traditional homemakers lead the struggle to save their
community, discovering the empowerment that comes from cooperation. 52
mins / 1985
PETER,
DONALD, WILLIE, PAT
H
C A P
How do people become homeless? This documentary shadows four men of
various ages who have been without homes for various reasons. Peter is
an addict who combs through garbage and sells what he finds at flea
markets. Donald is an ex-con with epilepsy. Willie suffered frostbite
and lost his job. And Pat is a victim of sexual abuse. What they have
in common is a will to maintain integrity despite their circumstances.
Their attitudes toward their own fates will surprise viewers and
humanize the large social problem of homelessness. (Does contain some
profanity.) 28 mins / 1994
PHILANTHROPY:
VOLUNTARY ACTION FOR THE PUBLIC GOOD
H
C A P
This video gives examples of the purposes and power of
philanthropy. People, foundations, and corporations give for various
moral, economic, altruistic reasons. The film talks about the history
of philanthropy from Andrew Carnegie and Jane Addams, and moves to
today’s foundations and not-for-profits that continue the American
tradition of helping those in need. The risks of philanthropy are
discussed—from helping a slave in the Underground Railroad to aiding
refugees today. A good contextual picture at the world of philanthropy.
29 mins / 1990
THEM
THAT’S NOT
C
A
We are the ones who can change the welfare system, people who are
the most oppressed--Native people, black people, disabled people,
single mothers on welfare… It’s almost like a revolution, but a
revolution without the violence, says and anti-poverty activist Brenda
Thompson. From the courts of Nova Scotia to the streets of Vancouver,
THEM THAT’S NOT takes a critical look at Canada’s welfare system
through the eyes of single women and single mothers and examines why
they and others are joining together to fight for social change. 54
mins / 1994
TIMES
OF A SIGN
H
C A P
You wouldn’t imagine tiny Odon, Indiana, as a center for
non-violent protest. But that’s exactly what happened when one
passionate citizen named Bill Breeden protested the naming of a street
after John Poindexter, a "favorite son" of Odon and a convicted figure
in the Iran-Contra hearings (though his conviction was later reversed).
Breeden stole the street sign, held it hostage, and went to jail to
make his point. The film provides a unique bridge between the more
remote lives of middle Americans and the very center of political power
and influence in the federal government. Subtitled "a folk history of
the Iran-Contra scandal," this is a quirky, ironic documentary that
will challenge your notions of justice, and your definitions of
"radical" and "conservative." Comes with a helpful discussion guide. 40
mins / 1993
TO
LIVE UNTIL YOU DIE
H
C A
A portrait of Dr. Elizabeth Kubler-Ross, whose work with the
terminally ill sheds light on the complexity of the dying process. 57
mins / 1984
TURNING SIXTEEN: TEENS AROUND
THE WORLD
This series makes vivid issues facing teenagers across the globe.
THE STORY OF IDRISSA Idrissa is a Nigerian teen whose culture is in
transition between nomadism and capitalism. Can traditional values be
maintained in an ever-increasing consumer society? THE STORY OF EMAN
Eman is an Egyptian girl who hopes to attend university despite
cultural traditions. Like many of her generation, she is odds with her
parents over issues of freedom for women. THE STORY OF PUTTINAN
Puttinan has left the Thailand countryside for Bankok to be a child
rights advocate, although she is only sixteen. 30 mins / 1994
UNCOMMON
GROUND
M
H A
Subtitled "A new look at South Africa through the eyes of five L.A.
youth," UNCOMMON GROUND is a film on top of a film. Curious about how a
group of multi-racial American teens would respond to witnessing the
slow unpeeling of apartheid in South Africa, filmmaker Aime Williams
took them to a country where young people lead the struggles for
justice. The youth make brief videos on their South African experience,
in which they question notions of privilege, home, and beauty. An
interesting experiment in cross-cultural adolescence and social
justice. 60 mins / 1994
THE
VANISHING FATHER
H
C A P
This FRONTLINE explores the dramatic change in the American family
and the startling findings of sociologist that, despite economic
status, children from single parent homes are twice as likely to drop
out of high school, to become teenage mothers, and to spend time in
jail. 57 mins / 1992
VOICES
FROM A STEELTOWN
M
H C A P
In the 1920s, Braddock, Pennsylvania was a thriving cultural and
commercial center, a boomtown born a generation earlier when Andrew
Carnegie opened his first steel mill there. Today Braddock is dying.
Poverty has replaced prosperity and the town’s few remaining residents
view their situation with a mix of stoicism, puzzlement and humor.
Braddock’s story is a classic one, mirrored throughout America’s Rust
Belt. "A moving, sensitive portrayal of the social and emotional costs
of plant closings to workers, families, and the community. A powerful
aid to discussion in classrooms and union halls." Nick Salvatore,
Cornell University. 28 mins / 1989
THE
WAY WE DIE: LISTENING TO THE TERMINALLY ILL
M
H C A P
Poetic and concise, THE WAY WE DIE is a film about dying told with
a light hand, just hinting at the many issues--medical, psychological,
spiritual--that death invokes. The video focuses on four stories of
terminally ill people and those who love them. The filmmaker made the
interesting decision not to reveal what diseases the four have, forcing
the viewer to consider each case from the purest perspective. The
stories are told largely with real footage and real sentiment. THE WAY
WE DIE would be a suitable starter for a discussion of euthanasia, and
is eye-opening viewing for care providers or ethicists. 25 mins / 1995
WHEN
DOCTORS GET CANCER
H
C A P
This film explores the redefinition of the doctor/patient
relationship. One psychiatrist whose 3-year-old son died from leukemia
had to endure watching the boy have 13 spinal taps. When should a
doctor stop trying to cure and focus on making the remainder of a
patient's days livable? (It is worth noting that the film was funded by
Cerenex Pharmaceuticals, a company that no doubt benefits from greater
use of pain killers). If the viewer can forgive that, there are other
good ideas: that patients and doctors should be equal partners in
healing, that doctors sometimes need to admit that they will be guiding
cancer patients to death, and that people can "die healed." A
provocative film on medical ethics. 60 mins / 1994
WORKING
IN COMMUNITY SERVICE
E
M H
Here’s a look at kids working hard to improve the world. Even
though volunteer positions pay no money the rewards can be tremendous!
The teens in this video have gained much more than money…they have the
satisfaction of knowing that their work truly makes a difference. This
video features disabled child program volunteers, museum volunteer,
nature center worker, basketball coach and a hospital aide. A community
service volunteer coordinator helps your students to find the right job
for them. 30 mins / 1997
WORLD
WAR III: THE POPULATION EXPLOSION AND OUR PLANET
H
C A P
The numbers astound: 260,000 humans are born every day while 70 or
more non-human species expire or become endangered. This documentary
argues that the consumptive, short-sighted mode of human existence is
on a collision course with the biosphere. To illustrate the thesis,
filmmaker Michael Tobias chooses graphic images. Tobias' global take on
the breadth of these problems is meant to disturb the viewer--deeply.
He takes his camera to four countries: Kenya, India, China, and the
U.S., where these issues are examined. The most fascinating feature of
WORLD WAR III is the interrelationships woven among economic, social,
and ecological brutality. This film's agenda is not to explore, but to
incite. Even those who disagree will find it useful for starting the
conversation. 50 mins / 1994
YOU
GOT TO MOVE
C
A P
A stirring documentary about personal and social transformation,
YOU GOT TO MOVE shows the struggles by "ordinary plainfolks" against
injustice. The film covers community actions against strip mining in
Kentucky, toxic waste dumping in Tennessee and discrimination in South
Carolina. The grassroots movements were inspired by the legendary
Highland Folk School. For fifty years the school has catalyzed
communication and community change. This film joyfully demonstrates
what the school teaches: that people count and can make a difference.
87 mins / 1985
Indiana Humanities Council
1500 North
Delaware Street
Indianapolis, IN 46202
317.638.1500 or 800.675.8897
ihc iupui.edu
|
 |
| [How
to Use HTG] |
|
 |
African American History &
Culture
|
 |
Architecture
|
 |
Archaeology
|
 |
The Arts &
Art History
|
 |
Asian History & Culture
|
 |
Choice Documentary Films
|
 |
Diversity & Tolerance
|
 |
Environment/Exhibits
|
 |
History, 18th Century
|
 |
History, 19th Century
|
 |
History, 20th Century
|
 |
Indiana History & Culture
|
 |
Jewish History & Culture
|
 |
Latin American History & Culture
|
 |
Literature, Language & Authors
|
 |
Media Literacy
|
 |
Native American History & Culture
|
 |
Political Science & The
Constitution
|
 |
Religion
|
 |
Social Issues
|
 |
Storytelling, Folktales & Folklore
|
 |
Women's Studies
|
|
|